Warmun Art Centre, Turkey Creek, WA

The second stop on our tour of Kimberley art centres was in Turkey Creek, home of the Warmun Art Centre. We landed around noon, which meant that this was to be the shortest of stops on our tour, as we needed to be on the ground in Fitzroy Crossing a mere three hours later. But somehow, we managed to forget all that almost the moment we stepped out of the plane onto the roughest airstrip we seen in our travels. 

The Turkey Creek airstrip.

For one things the surrounding countryside was among the most beautiful scenes we’d encountered. The blazing blue sky had only grown brighter as the sun climbed higher in the sky, and the air was full of the sharp smells of cattle, smoke, and dry grass. Pretty soon the familiar plume of dust announcing the arrival of the troopie to carry us back to the art centre appeared among the trees. A steel-haired cattleman jumped down from the vehicle and introduced himself to us: Patrick Mung Mung.

Warmun cattle country.

We piled into the truck and began our drive through high grass and deep glades of green trees. As we bounced along the rough red road, we passed what appeared to be a small, fenced garden on our left, filled with a riot of colorful flowers. The blossoms appeared to be piled on top of wire frame; we learned later that we had passed by the Turkey Creek cemetery where the graves of Rover and Queenie are honored still by the members of the community.

The green countryside at Turkey Creek.

We bounced through Turkey Creek, still holding water, as the greenness all around suggested it might be, and soon pulled up at the art centre compound. We were enthusiastically and warmly greeting by Roger Taylor and Jackey Coyle-Taylor, the managers, who were smack in the middle of a two-week orientation to their new responsibilities, having arrived in Turkey Creek from Adelaide only a week before. Megan Buckley and Eamonn Scott had another week on site, and then the new managers would be on their own. 

Roger Taylor after a week on the job as manager at the Warmun Art Centre, June 2007.

Someone suggested lunch, and since a table was spread with platters of baked goods and plenty of tea was to hand, we could hardly resist. A few of the old ladies, including Mabel Juli and Nancy Nodea, quietly joined us as we tucked into our airplane lunches…which quickly lost their appeal in the face of cakes and scones the like of which we hadn’t seen in all our travels. The hospitality was beguiling, the company charming, and I think we would have been content to sit there under the tall trees for a good long while. 

Patrick Mung Mung and Betty Carrington painting in the shade near the old art centre building. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

From our seats we could see the lovely old building that had been the home of the art centre for many years, the as yet unfinished, very modern new exhibition space and museum, and the large storehouse where paintings destined for major exhibitions were stored. (The new, $1.3 million facility opened in August 2007, a little over two months after our visit.)

A panoramic view of the new Warmun Art Centre, located just behind the old building. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

But being in close proximity to all that art was an irresistible pull, and we soon scattered, climbing the steps of the old art centre to admire hundreds of paintings hung on the walls and sorted into bins. In the office there were etchings and art cards to supplement the ochre canvases, and we heard about plans to introduce jewelry and hand-painted silk to the centre’s inventory. They had a good selection of books for sale as well, and I managed to secure a lovely, short monograph on the late Hector Jandany.

Senior, emerging, and future artists of the Warmun Art Centre. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

The new building was still quite clearly a construction site and although we were all eager to see what it would look like, caution prevailed, and we left the workmen to their business, undisturbed. I’m most grateful to Roger and Jackey for providing me with photographs of the new display areas. It’s a lovely, open space that many urban galleries would be jealous of. Designed by Monsoon Architects out of Kununurra, the new building was constructed largely with funds from the sale of artwork.

Inside the new gallery space. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

The large, air-conditioned storerooms were enough to make a collector weep. The painting tradition at Warmun goes back two decades now, making it one of the oldest centres in Australia, and the first to make a mark on the national consciousness in the medium of ochre on canvas in a modern idiom. The characteristic depictions of countries and stories of the Gija people, combining a traditional aesthetic with Western genres of landscape and history painting defined a third way in Aboriginal art, neither desert dot painting nor Top End clan designs. 

Mabel Juli. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

Instead there was a visual tradition that hovered on the borders of representation, reflecting the metamorphosis of ancestral beings from what the Gija call Ngarrangakrni into landmarks and celestial orders. The boldness of the design, the large, balancing fields of color, find an equilibrium on the borders of representation and abstraction in a way that is unique to the Kimberley and has inspired artists across the region to develop new adaptations of their traditional designs.

Stock in the art centre “shed.” (Photo by Margo Smith)

With one last look around at the abundance of spectacular color inside the shed, we were led back out for the short trip back to the airstrip. I left feeling that of the many places we had visited in the preceding two weeks, we needed far more time, and much more traveling the vicinity to really grasp the special relationship between what we saw inside and outside the Warmun Art Centre.

The Turkey Creek Roadhouse. (Photo by Rod Hartvigsen, Muranji Photography; courtesy of Warmun Art)

This entry was posted in Art, Communities, In Australia and tagged , . Bookmark the permalink.

1 Response to Warmun Art Centre, Turkey Creek, WA

  1. Stephanie Vaughan Johnson says:

    Your article brought back many memories as I worked as a nurse there in the 1970s. Excellent description of the active and exquisite Warmun art.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s